In this performance artist Suvi Kemppainen physically and energetically engages with heaven, a concept which they consider to be one of the pedestals of a good life. Rather than a utopian dream or a concept owned solely by religions, heaven is experienced as a concrete, intimate reality that shapes human existence with fantasies of a good life. For the moment of the performance heaven serves as both a choreographic and dramaturgical anchor, guiding the composition of the performance. Does hard labor grant a place in heaven? Continuing their practice on immaterial ownership, Suvi takes an otherworldly dimension to serve the wisdom of imagination. The performance explores the dialogue between live performance and a collection of artworks, each possessing their own distinct identity and situational context. Garden is a promise where every planted seed can potentially lead to a world-changing event. What is the hierarchy between a still image—a historical document, an artwork, a cultural artefact—and dance, a disappearing act? The performance is situated in "Humanity" room at Ateneum Art Museum In Helsinki, which features paintings from artists from the end of 19th century to the beginning of 20th century. Suvi’s childhood fixation, Hugo Simberg’s “Wounded Angel" (1903) is located in that room which Simberg painted after hospitalisation and a manic-depressive period. In malaise and in vitality, I shall beckon forth specters from canvases and the depths of my psyche.